ISSUE 85 – March 2020

 

TRUE HISTORY OF THE KELLY GANG

An exploration of bushranger Ned Kelly and his gang as they attempt to evade authorities during the 1870s, filmed by award-winning cinematographer Ari Wegner ACS.

THE MANDALORIAN

Cinematographer Greig Fraser ACS ASC steps into the unknown on The Mandalorian..

STATELESS

Inspired by true events; a woman escaping a cult, a refugee fleeing with his family, a father trapped in a dead-end job, and a bureacrat on the verge of a national scandal find their lives intertwined, caught up in migrant detention. Stateless, was created and executive produced by Cate Blanchett, and Tony Ayres, directed by Emma Freeman and Jocelyn Moorhouse, and shot by cinematographer Bonnie Elliott ACS.

THE INVISIBLE MAN

Emmy Award-winner Elisabeth Moss (The Handmaid’s Tale) stars in a terrifying modern tale of obsession inspired by Universal’s classic monster character. Cinematographer Stefan Duscio ACS (Jungle) chats to us about shooting The Invisible Man for Australian director Leigh Whannell (Saw).

NEVER TOO LATE

Cinematographer Peter Falk ACS finds himself breaking out in style on Never Too Late, a riotously funny story of four heroic Vietnam veterans attempting to break out of their retirement home.

THE COMMONS

Earle Dresner ACS tackles extreme weather, a refugee crisis and pandemics in this human story about a very near future and the challenges it may bring.